Sure, we are already into February now. But with years like 2013, it's never too late to celebrate such high quality cinema. Perhaps the best year since 2007 ("The Assassination of Jesse James by the Coward Robert Ford," "Atonement," "The Diving Bell and the Butterfly," "I'm Not There," "No Country for Old Men," "Ratatouille," "There Will Be Blood," "La Vie en Rose"), 2013 showcases strength across the board—in foreign and American films, in documentaries and narratives, in dramas and comedies—and perhaps most of all—in films that blurred the lines.
This past year's films showcased stories and craftsmanship as complex as the filmmakers themselves. From auteur-driven work like "American Hustle," "Gravity," "Her" and "Upstream Color" to a tremendous showing for American indies like "Hank and Asha," "Hide Your Smiling Faces" and "Short Term 12"—this list is probably the toughest I've ever put together.
Several of these films played our local film festivals. "7 Boxes," "euphonia," "The Exquisite Corpse Project," and "Mud" all played at the Atlanta Film Festival. "Hank and Asha" and "The Past" both screened at the Savannah Film Festival. "Lore" was easily my favorite film from the 2013 Atlanta Jewish Film Festival. "Hide Your Smiling Faces" and "Short Term 12" were just two films from a remarkable lineup at the Sidewalk Film Festival in Birmingham last year. Some films featured at multiple festivals—"Congratulations!" played both Atlanta and Sidewalk and will screen at the Macon Film Festival later this month, "Muscle Shoals" screened at Sidewalk and will also play in Macon. "The Spectacular Now" played both Atlanta and Savannah.