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A scene from Georg Koszulinski's "Last Stop, Flamingo" |
Few American states produce as distinctive an image in the world's collective mind as Florida. Texas, yes. Hawaii, yes. California, yes—but perhaps a few different images correlating to the different regions. Florida, definitely—the sunshine state, palm trees, white sands, beach bodies, South Beach, and so on. It's these exact images that filmmaker Georg Koszulinski steers clear of in "Last Stop, Flamingo"—without making the audience feel as if he has actively avoided them. Of course, plenty of archival footage of decades-old Florida ad campaigns and sweet diary-like vignettes from Koszulinski offer glimpses of the white sands, skylines and beach fun that you expect from anything Florida. Thankfully, though, the film offers a much more unique vantage point—acting as a View-Master to the reel of Florida's most forgotten, most eccentric and most personal histories.