Showing posts with label Ok Good. Show all posts
Showing posts with label Ok Good. Show all posts

27 April, 2012

Atlanta review bundle: "The Woman in the Fifth" (***1/2), "A Little Bit Zombie" (***1/2), "Ok, Good" (****)


Kristin Scott Thomas and Ethan Hawke star in "The Woman in the Fifth"
"The Woman in the Fifth" is Pawel Pawlikowski's first film in seven years and marks no departure from the Polish filmmaker's steady, romantic aesthetic. The film possesses a particularly high density, especially due to such strong performances from Ethan Hawke and Kristin Scott Thomas. It fails, however, to really engage the viewer past the feeling of general intrigue. Pawlikowski's firm grip on the wheel, embellished with harmonizing technical aspects, keeps you interested, but not interested enough. The best scenes, which feature Hawke at his 'job' in an underground room, are filled with more suspense and dread than most entire horror films contain. Looking back on the film, it has to be noted that few films set in Paris showcase so little of the City of Light. Most of the film takes place in dimly lit rooms, windowless basements or dirty hotels. Did Hawke's character ever truly leave the mental hospital from which he was supposedly released? 3.5 out of 5 stars.

"A Little Bit Zombie" and "Ok, Good" after the jump.

03 April, 2012

Wrapping up the 2012 Atlanta Film Festival and looking ahead

Seeing and speaking with actress Nicole Beharie was a highlight of the festival

The 36th Atlanta Film Festival came to a close Sunday and I can proudly say that of the six years I've attended, this was the best fest yet. The films were strong and diverse. The venues, especially the new Atlanta Gem Series locations, were fun and accommodating. The staff was warm and helpful. The stars were bright and plenty. Sure, there were delays, technical problems, long waits, etc. If you find a festival without any of those, please let me know, so I can avoid what is undoubtedly a boring and lifeless event.

The Atlanta Film Festival is full of life. Thanks to a new Executive Director, Chris Escobar, and longtime festival veteran, Charles Judson, now the Festival Director and Head of Programming; the festival has made great leaps in organization, cohesion and over-all cool factor. For years, the event felt like a film festival that was in Atlanta, now it feels, as it should, like Atlanta's film festival. With new partnerships with Georgia State University, the Plaza Theatre and Atlanta Magazine, the festival's future looks aglow.